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Colors are important for emphasizing. Important words in a text may be colored differently from others. For example, many dictionaries use a different color for headwords, and some religious texts color the words of deities red, commonly referred to as rubric. In Ethiopic script, red is used analogously to italics in Latin text. [18]
An example of a scheme is a polysyndeton: the repetition of a conjunction before every element in a list, whereas the conjunction typically would appear only before the last element, as in "Lions and tigers and bears, oh my!"—emphasizing the danger and number of animals more than the prosaic wording with only the second "and".
Epizeuxis – emphasizing an idea by repeating a single word. Eristic – communicating with the aim of winning the argument regardless of truth. Erotema – rhetorical question; a question is asked to which an answer is not expected. [1] Ethos – a rhetorical appeal to an audience based on the speaker/writer's credibility.
In other words, amplification allows you to call attention to, emphasize, and expand a word or idea to make sure the reader realizes its importance or centrality in the discussion." Harris provides examples of amplification: "In my hunger after ten days of rigorous dieting I saw visions of ice cream – mountains of creamy, luscious ice cream ...
Contrastive stress is another everyday English example of phrasal prosody that helps us determine what parts of the sentence are important. Take these sentences for example: A man went up the STAIRS; Emphasizing that the STAIRS is how the man went up. A MAN went up the stairs; Emphasizing that it was a MAN who went up the stairs. [37]
An example is Japanese, which conjugates verbs in the negative after adding the suffix -nai (indicating negation), e.g. taberu ("eat") and tabenai ("do not eat"). It could be argued that English has joined the ranks of these languages, since negation requires the use of an auxiliary verb and a distinct syntax in most cases; the form of the ...
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Exaggeration is the representation of something as more extreme or dramatic than it is, intentionally or unintentionally. It can be a rhetorical device or figure of speech, used to evoke strong feelings or to create a strong impression.