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There are a number of well-developed microphone techniques used for recording musical, film, or voice sources or picking up sounds as part of sound reinforcement systems. The choice of technique depends on a number of factors, including: The wish to capture or avoid the collection of extraneous noise.
In filmmaking, ambience (also known as atmosphere, atmos, or background) consists of the sounds of a given location or space. [1] It is the opposite of "silence". Ambience is similar to presence, but is distinguished by the existence of explicit background noise in ambience recordings, as opposed to the perceived "silence" of presence recordings.
Typically the work involves recording sound outside of a controlled environment like a studio (field recording is an analog of studio recording), to be used or repurposed as sound effects that get inserted into all sorts of media, such as plays, video games, films, and television shows. A career as a professional field recordist is a tough, but ...
With the widespread availability of powerful digital signal processing (as opposed to the expensive and error-prone analog circuitry that had to be used during its early years) and the successful market introduction of home theatre surround sound systems since the 1990s, interest in Ambisonics among recording engineers, sound designers ...
Surround microphone techniques largely depend on the setup used, therefore being biased towards the 5.1 surround setup, as this is the standard. [24] Surround recording techniques can be differentiated into those that use single arrays of microphones placed in close proximity, and those treating front and rear channels with separate arrays.
Overhead microphones are those used in sound recording and live sound reproduction to pick up ambient sounds, transients and the overall blend of instruments. [1] They are used in drum recording to achieve a stereo image of the full drum kit, [2] as well as orchestral recording to create a balanced stereo recording of full orchestras.
Huber's most prominent book, Modern Recording Techniques, has sold over 250,000 copies and become a standard recording industry text. Huber received his degree in music technology from Indiana University (I.M.P.), and was the first American to be admitted into the Tonmeister program at the University of Surrey in Guildford, Surrey, England. [1]
Compared to vinyl record, it was noticed that CD was far more revealing of the acoustics and ambient background noise of the recording environment. [37] For this reason, recording techniques developed for analog disc, e.g., microphone placement, needed to be adapted to suit the new digital format. [37]