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The Kodak Stereo Camera was a 35mm film stereo camera produced between 1954 and 1959. Similar to the Stereo Realist , the camera employed two lenses to take twin shots of scenes, which could then be viewed in dedicated image viewers.
The Kodak Signet 35 was a 35mm rangefinder camera produced by the Eastman Kodak Company from 1951 to 1958. The Kodak Signet series of 35mm cameras [1] was Kodak's top American-made 35mm camera line of the 1950s, into the early 1960s.
The Brownie was a series of camera models made by Eastman Kodak and first released in 1900. [1]It introduced the snapshot to the masses by addressing the cost factor which had meant that amateur photography remained beyond the means of many people; [2] the Pocket Kodak, for example, would cost most families in Britain nearly a whole month's wages.
The Kodak DCS series of digital single-lens reflex cameras and digital camera backs were released by Kodak in the 1990s and 2000s, and discontinued in 2005. [213] They were based on existing 35mm film SLRs from Nikon and Canon . [ 214 ]
The Kodak Stereo Camera in particular, which was both less expensive and easier to use, might have outsold the Realist, had it been released prior to the end of 1954. By the mid-1950s, the public's fascination with stereo imaging was fading, and by 1960 the Stereo Realist was the only stereo camera of the 1950s era that was still manufactured. [1]
The Kodak Starflash belongs to the Kodak Brownie Star- lineup of cameras made by the Eastman Kodak Company in the United States and France between 1957-1965 and sold for $8.50 [1] ($66.95 in 2011). [ 2 ]