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"Elite Syncopations" is a 1902 ragtime piano composition by American composer Scott Joplin, originally published in 1903 by John Stark & Son. [1] [2] The cover of the original sheet music prominently features a well-dressed man and lady sitting on a treble staff, looking down upon a cherub clutching a cymbal in each hand, [2] which reflects plainly the title of the piece.
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". [ 1 ]
For example, in common time, also called 4/4, the most common metre in popular music, the stressed beats are one and three. If accented chords or notes are played on beats two or four, that creates syncopation, since the music is emphasizing the "weak" beats of the bar. Syncopation is used in classical music, popular music, and traditional music.
MacMillan added some additional ragtime tunes to complete his ballet: Paul Pratt's Hot-house Rag and James Scott's Calliope Rag for piano; Joseph Francis Lamb's Ragtime Nightingale orchestra and Alaskan Rag for piano; Max Morath's The Golden Hours for piano; Donald Ashwander's Friday Night and Robert Hampton's Cataract Rag for orchestra.
vocal score or piano-vocal score. A music score of a musical theater show or a vocal or choral composition where the vocal parts are written out in full but the accompaniment is reduced to two staves and adapted for playing on piano. voicing. The choice of, and order of notes in the playing of a chord, which creates a different sound.
The terms syncopation and syncopated step in dancing are used for two senses: The first definition matches the musical term : stepping on (or otherwise emphasizing) an unstressed beat . [ 1 ] [ 2 ] For example, ballroom cha-cha-cha is a syncopated dance in this sense, because the basic step "breaks on two".
Syncopation is a musical term for the stressing of a normally unstressed beat in a bar or the failure to sound a tone on an accented beat. It may also refer to: It may also refer to: Syncopation (dance) , dancing on unstressed beats, or improvised steps
Universal Syncopations was received positively by critics upon release, with John Fordham describing it, in his review for The Guardian, as "a wonderful contemporary jazz set [...] in which all the players reconsider their histories to maximise the intensity of the present."