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"Trapped in the Sky" is the first episode of Thunderbirds, a British Supermarionation television series created by Gerry and Sylvia Anderson and filmed by their production company AP Films (APF) for ITC Entertainment. Written by the Andersons, it was first broadcast on ATV Midlands on 30 September 1965.
Trapped in the Sky (aka Army Spy and Sabotage) is a 1939 American thriller film directed by Lewis D. Collins and produced by Larry Darmour for Columbia Pictures. [1] The film stars Jack Holt, Ralph Morgan and Katherine DeMille. [2] Holt is the "flyboy" who is trying to find the saboteurs of a "silent" aircraft.
He was the first of the brothers to be voice-cast; Barrett was so impressed with the puppet, whose looks were modelled on Adam Faith and Charlton Heston, that he immediately told Sylvia Anderson that he wanted to play the studious young astronaut with the boyish quiff. [22]
[17] Commenting on the Thunderbirds cast, writer John Peel singles out Penelope for particular praise, referring to her as the "one character in the show who positively shone". [18] He approves of her characterisation as a secret agent obliged to play the role of a "bored aristocrat", identifying parallels with male literary characters such as ...
In 1980, ITC's New York branch paired the episode with "Trapped in the Sky" to create the Thunderbirds compilation film Thunderbirds to the Rescue. [2] " Operation Crash-Dive" had its first UKâwide network broadcast on 8 November 1991 on BBC2 .
In "City of Fire", the Tracy brothers rush to save a family of three who are trapped underground following the collapse of a burning skyscraper. In 1992, Fennell and artist Keith Watson adapted the episode into a comic strip which was serialised in issues 15 to 17 of Thunderbirds: The Comic. The strip was re-published as a graphic album later ...
The seventh episode to be produced, "Vault of Death" sees the reintroduction of Lady Penelope and Parker following their brief appearance in the first episode, "Trapped in the Sky", and is the characters' first centric episode. [2] According to Chris Bentley, the episode presents the duo more as comic relief than competent undercover agents. [3]
A few weeks earlier, Lew Grade – who had been greatly impressed by the original 25-minute version of the first episode, "Trapped in the Sky" – had instructed Gerry Anderson to make all episodes 50 minutes long so the series could fill an hour-long commercial TV timeslot. [4]