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طبلة tabla [tˤabla] (listen ⓘ), drum. English tabla is from Hindi/Urdu tabla, which is from Persian tabla = "small drum", Persian tabl = "drum", and Arabic tabl. The Persian is from the Arabic. Tabl in Arabic has been the usual word for drum (noun and verb) since the beginning of written records. [2] [3] tahini
The word "tabor" (formerly sometimes spelt "taber") is an English variant of the Persian word tabīr, meaning "drum" [1] [2] —cf. Catalan: tambor, French: tambour, Italian: tamburo [3] Militaries may use the tabor as a marching instrument; it can accompany parades and processions.
Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.
The tabret or timbrel was a favorite instrument of the women, and was used with dances, as by Miriam, to accompany songs of victory, or with the harp at banquets and processions; it was one of the instruments used by King David and his musicians when he danced before the Ark of the Covenant.
A deep, two-headed drum of Arabic origin, called the tambourin [de Provence], is mentioned as early as the 1080s and noted as the "tabor" in the Chanson de Roland.This type of instrument, commonly found in the Provence region of France, is played by a musician who wears the drum on a strap hanging from the player's left arm and elbow.
Pipe and tabor is a pair of instruments played by a single player, consisting of a three-hole pipe played with one hand, and a small drum played with the other. The tabor hangs on the performer's left arm or around the neck, leaving the hands free to beat the drum with a stick in the right hand and play the pipe with thumb and first two fingers of the left hand.
This memorisation is often referred to as पढ़न्त (paḍhanta) in Hindi. While the pakhavaj mnemonics share some similarity with the tabla mnemonics, the interpretation of the same mnemonics may be different in pakhavaj and also vary according to the respective gharana – e.g. the Nana Panse gharana and the Nathdwara gharana.