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To define their music, Pere Ubu coined the term avant-garage to reflect interest in both experimental avant-garde music, especially musique concrète, and raw, direct blues-influenced garage rock. Thomas has stated the term is "a joke invented to have something to give journalists when they yelp for a neat sound bite or pigeonhole". [31]
Song of the Bailing Man is the fifth Pere Ubu album, released in 1982. [8] [9] It was the final Pere Ubu album until 1988's The Tenement Year. [10] Production
It should only contain pages that are Pere Ubu albums or lists of Pere Ubu albums, as well as subcategories containing those things (themselves set categories). Topics about Pere Ubu albums in general should be placed in relevant topic categories .
20 Years in a Montana Missile Solo is the sixteenth studio album by American band Pere Ubu.It was released on September 29, 2017, through Cherry Red Records.The album was dedicated to Paul Hamann, the engineer owner of Suma Recording Studio, who died on September 14, 2017.
Pennsylvania is an album by the American band Pere Ubu, released in 1998. [6] [7] The album marked Tom Herman's return to Pere Ubu's studio work after a twenty-year absence. [5] It is a loose concept album about geography, travel, and road trips. [8] [9] Guitarist Wayne Kramer joined the band's tour in support of the album. [10]
The Modern Dance is the debut album by the American rock band Pere Ubu. It was released in February 1978 through the label Blank Records. [1] A 5.1 surround sound version was released as the DVD-Audio side of a DualDisc in 2005.
Worlds in Collision is the eighth album by American rock group Pere Ubu.The album continues in the shift away from their more experimental early work to emphasize the relatively conventional pop found on their previous studio album, Cloudland.
"30 Seconds Over Tokyo" is the debut single by American post-punk band Pere Ubu. Written by band members David Thomas, Peter Laughner, and Gene O'Connor during their stint with Pere Ubu's predecessor Rocket from the Tombs, it was released on Thomas' independent Hearthan Records in 1975. The song received very little airplay at the time but has ...