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Ghost Ship is a 2002 American supernatural horror film directed by Steve Beck from a screenplay by Mark Hanlon and John Pogue.It follows a marine salvage crew in the Bering Sea who discover a mysterious ocean liner that disappeared in 1962 and stars an ensemble cast of Gabriel Byrne, Julianna Margulies, Ron Eldard, Desmond Harrington, Isaiah Washington, Alex Dimitriades, and Karl Urban.
The Ghost Ship is a 1943 American black-and-white psychological thriller film starring Richard Dix and directed by Mark Robson. It was produced by Val Lewton for RKO Radio Pictures as part of a series of low-budget horror films.
Gambling Ship (1933 film) Game on Board; Gentlemen Prefer Blondes (1953 film) Ghazi (film) The Ghost Ship; Ghost Voyage; A Glimpse of Hell (film) Go-Get-'Em, Haines; God of Gamblers II; Going Overboard; Golden Rendezvous; Good Noose; The Great Masquerade; Great Moments in Aviation; Greyhound (film)
The mysteriously derelict schooner Carroll A. Deering, as seen from the Cape Lookout lightship on 28 January 1921 (US Coast Guard). A ghost ship, also known as a phantom ship, is a vessel with no living crew aboard; it may be a fictional ghostly vessel, such as the Flying Dutchman, or a physical derelict found adrift with its crew missing or dead, like the Mary Celeste.
The SS Ourang Medan was a reported ghost ship and proposed urban legend of the 1940s. The vessel was supposedly discovered adrift after briefly broadcasting an SOS.The ships that responded to the SOS were reported to have discovered all the crew dead with their eyes open and their faces frozen in shock, as if they were witnessing a horrific scene.
The ship, which was again renamed, this time to the USS Phenakite, survived both World Wars and was even used by scientist Thomas Edison to transport government-funded experiments.
Ghost Ship is a 1952 British second feature [1] thriller film directed by Vernon Sewell and starring Dermot Walsh and Hazel Court. [2] It was written by Sewell and Philip Thornton. [ 3 ] This was one of four attempts by Sewell to adapt and film the Pierre Mills and Celia de Vilyars Grand Guignol stage play L'Angoisse .
The ship ended up between two rocks... At which point they tried to turn it around. We heard the noises pushing hard, the ship started a kind of reverse. It was the end…" [3] When the comparison between the Concordia tragedy, and Rettondini's film Ghost Ship was mentioned to her, Rettondini replied that Ghost Ship, "...was only fiction ...