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The song was the first written by Hammond Jr. following rehabilitation for his drug addiction. [6] It is synth-driven, similarly to several tracks on the band's previous album, Angles, and features unusual falsetto vocals from singer Julian Casablancas, as well as the first instance of an acoustic guitar on a Strokes recording.
Pamungkas joined a band called Potenzio in 2009, and they released an album titled Jingga. [4] Pamungkas released his debut solo album, Walk the Talk, in 2018 to popular acclaim. The album was in fact first released in 2017 with 10 songs, but re-released in 2018 with six more songs and a new cover.
The Strokes have been said to be, "as influential to their era as the Velvet Underground or the Ramones were to theirs", by Lizzy Goodman in her book on the New York City music scene, claiming that, "almost every artist I interviewed for this book – from all over the world – said it was The Strokes that opened the door for them."
"Brooklyn Bridge to Chorus" is a song by American rock band The Strokes. The song was released on April 6, 2020, as the third single from their sixth studio album, The New Abnormal (2020). [ 5 ] The song was featured as part of the soundtrack to the sports video game MLB The Show 21 .
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Live recorded versions of "Hard to Explain", its B-side "New York City Cops", and "Last Nite" from The Modern Age aired on the UK music show Top of the Pops on July 6, 2001. [30] The Strokes were added to the main stage at the T in the Park festival in Scotland on July 7 after alternative rock group Weezer pulled out. [31]
The band performance in the mirrored room is a nod to the album cover for (No Pussyfooting) (1973) by Fripp & Eno and A Flock of Seagulls' "I Ran" music video. The final scene from the video is a clip from the band's first single " 12:51 " off the same album Room on Fire , and is a reference to the 1982 film Tron .
The New Abnormal is the sixth studio album by American rock band the Strokes, released on April 10, 2020, through Cult and RCA Records. [2] It was their first full-length album since Comedown Machine (2013), marking the longest gap between studio albums by the band.