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Bicycles Are for the Summer (Spanish: Las bicicletas son para el verano) is a Spanish play written by Fernando Fernán Gómez in 1977, who received the Lope de Vega Prize in 1978. [1] It deals with the effects of Spanish Civil War on citizens of Madrid. [2] It was released as a popular film in 1984, directed by Jaime Chávarri.
The Danza de los Viejitos is said have begun as a dance in the Mexican State of Michoacán in the Purépecha Region. The men that perform this dance are known as Danzantes or "Dancers." This dance was performed by four men that represent fire, water, earth, and air.
A diss track towards Tego Calderón called "Wasa Wasa" by Puerto Rican rapper Temperamento, makes reference to Toño Bicicleta on the following verse "Aguanta esa boca tienes los cachetes llenos de coca, tu si que eres feca, eres tan horrible que ni Toño te prestaba la Bicicleta". Put up with that mouth, your cheeks are full of coke, you ...
Ballet Folklórico de México. (Palacio de Bellas Artes, 2016) The music and dances reflect various regions of Mexico. Many of the ensemble's works reflect the traditions of indigenous Mesoamerican culture. The number of performers in individual dance ranges from two to over thirty-five. Under Amalia Hernández, the group pioneered Mexican folk ...
La Bicicleta" was available for digital download on 27 May 2016. [9] "La Bicicleta" was released globally to radio stations on 20 June. [5] Part of its promotion was extensively done by both singers' social media accounts. [10] The song was also included as the tenth song on Shakira's eleventh studio album El Dorado (2017). [11]
Carrusel (Spanish pronunciation:) is a Mexican children's telenovela produced by Valentín Pimstein for Televisa in 1989. [1] It is based on the Argentinean character Jacinta Pichimahuida (first televised in 1966), and produced by and broadcast on Televisa in 1989.
"La India María" (born María Nicolasa Cruz) is a fictional character portrayed and created by actress María Elena Velasco. [1] The character frequently endures situations of racial discrimination, classism, and corruption, although in all of these turmoils, María undoubtedly resolves them with hilarious acts of good-nature and morality.