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The period between 1876 and 1882 was the most productive for Morris; he created sixteen different wallpaper designs. In his wallpapers of this period, he reverted to more naturalistic themes, somewhat less three-dimensional than his earlier work, but with an exceptional harmony and rhythm, as in his designs Poppy (1885) and Acorn.
The Vienna Secession was movement with a very different aesthetic and style from the Belgian and French Art Nouveau. The sinuous lines and floral designs of the early style were largely replaced by geometric patterns and symmetry. The painter Gustav Klimt made a venture into graphic arts, designing the poster for the Secession Exhibition of 1898.
Red and White Plum Blossoms (紙本金地著色紅白梅図) is a pair of two-panel byōbu folding screens painted by Kōrin using ink and color on gold-foiled paper. [13] A late masterpiece, completed probably circa 1712–1716 in his atelier in Kyoto, [ 17 ] it is considered his crowning achievement. [ 27 ]
Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
The collection includes stained glass, wallpaper, textiles, embroidery, drawings, ceramics, more than 2000 books, original woodblocks, and the complete archives of both Morris, Marshall, Faulkner & Co. and Morris & Co. [308] These materials formed the foundation for the 2002 exhibition William Morris: Creating the Useful and the Beautiful and ...
It is the only built Mackintosh church design and is now the Charles Rennie Mackintosh Society headquarters. As with his contemporary Frank Lloyd Wright, Mackintosh's architectural designs often included extensive specifications for the detailing, decoration, and furnishing of his buildings.