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Witches' Sabbath (Spanish: El Aquelarre) [1] is a 1798 oil painting on canvas by the Spanish artist Francisco Goya. Today it is held in the Museo Lázaro Galdiano, Madrid. It depicts a Witches' Sabbath. It was purchased in 1798 along with five other paintings related to witchcraft by the Duke and Duchess of Osuna. [2]
Outside the circle, the landscape is bare and barren; a group of rooks or ravens and a frog – all symbols of evil associated with witchcraft – are excluded. But within its confines are flowers and the woman herself, objects of beauty. The picture's meaning is unclear, but its mystery and exoticism struck a chord with contemporary observers.
The women are positioned in a small interior space which contains a window and can be entered or exited from two sides. The small devil in the left hand recess, who is intended to represent evil, as mammalian anatomy including hind legs, and holds a vaguely described object in his claw that appears to consist of sticks and a piece of string, [10] perhaps comprising a contemporary device for ...
Art historian Jane Schyler asserts that The Witches illustrates the beliefs of church inquisitors, and that its imagery is directly informed by the writings of the Malleus Maleficarum. [3] Baldung, who had an attorney for a father and a professor for a brother, likely had access to the Malleaus maleficarum through his family members.
It was part of a series of six paintings related to witchcraft acquired by the Duke and Duchess of Osuna in 1798. [a] It has been described as "the most beautiful and powerful of Goya's Osuna witch paintings." [2] The painting was sold to the Duke and Duchess of Osuna on 27 June 1798, to decorate their villa La Alameda, on the outskirts of Madrid.
Artist and occultist Austin Osman Spare (1886–1956) developed his own unique method of creating and using sigils, which has had a huge effect on modern occultism. Spare did not agree with medieval practice of using these, arguing that such supernatural beings were simply complexes in the unconscious, and could be actively created through the ...
The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate. The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate, also known as The Destroying Angel and Daemons Inflicting Divine Vengeance on the Wicked and Intemperate [1] and as The Destruction of the Temple of Vice, [2] is an 1832 English oil painting on canvas ...
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