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"Steal Away" is a standard Gospel song, and is found in the hymnals of many Protestant denominations. An arrangement of the song is included in the oratorio A Child of Our Time, first performed in 1944, by the classical composer Michael Tippett (1908–98). Many recordings of the song have been made, including versions by Pat Boone [6] and Nat ...
Rick Hall, producer of the original Jimmy Hughes version of "Steal Away", would subsequently helm four remakes of the song, three of them at his FAME Studios, beginning with Etta James' version included on for her 1968 album release Tell Mama - and serving as B-side of her 1969 single "Almost Persuaded" - , the second instance being the remake ...
Early in 1964, he returned to Hall with a powerful ballad he had written, "Steal Away", partly based on the gospel song "Steal Away to Jesus", and recorded the song in one take, [2] backed by the studio rhythm section of guitarist Terry Thompson, keyboardist David Briggs, bassist Norbert Putnam and drummer Jerry Carrigan. [2]
The song was released by Dupree in 1980. It immediately charted in the top 20, becoming a big hit during the summer of 1980 and the driving force on his debut album. [4] In 1991, John D'Agostino of the Los Angeles Times described the song as "a blatant, wimpy rip-off of the Michael McDonald/Kenny Loggins' composition "What a Fool Believes". [5]
"Steal Away", a 1981 song from Tommy Tutone 2 by Tommy Tutone; Steal Away, a 2012 album This page was last edited on 16 October 2024, at 04:04 (UTC). Text is ...
Many popular sources claim that spirituals and other songs, such as "Steal Away" or "Follow the Drinkin' Gourd", contained coded information and helped individuals navigate the railroad, but these sources offer little traditional archival evidence to support their claims. Some scholars who have examined these claims tend to believe that while ...
The Mighty Clouds of Joy was formed in 1959 in Los Angeles as a tradition-based style group. It wasn't until 1961 as the group became famous, they added bass, drums, and keyboards to the standard guitar backup and developed a funky sound that split the difference between gospel and rhythm and blues.
It's a Mean Old World to Try to Live In is a 1975 gospel blues LP by American street-performing musician Reverend Pearly Brown (1915–86, vocals, guitar and harmonica, active in Macon, Georgia) on the Rounder label.