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The circle of fifths text table shows the number of flats or sharps in each of the diatonic musical scales and keys. Both C major and A minor keys have no flats or sharps. v
Circle of fifths. All musical scales in the circle of fifths The red and blue symbols indicate the tones of major and minor triads. The small interval, e.g. between two black lines corresponding to the same black piano key, is the Pythagorean comma. In this file a scale with 6 ♯ is slightly (namely a Pythagorean comma) higher than a scale ...
The circle of fifths drawn within the chromatic circle as a star dodecagram. [30] The circle of fifths, or fourths, may be mapped from the chromatic scale by multiplication, and vice versa. To map between the circle of fifths and the chromatic scale (in integer notation) multiply by 7 , and for the circle of fourths multiply by 5 (P5).
English: en:Circle of fifths. Major scales shown in red ring, minor scales in green. Names of enharmonic scales are shown in small print. Accidentials adequate to a given scale are shown in outer, grey ring.
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The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor scale. [1] The minor key starts three semitones below its relative major; for example, A minor is three semitones below its relative, C major. Circle of fifths showing major and minor keys
Going around the circle of fifths with just intervals results in a comma pump by the Pythagorean comma. The 6 ♭ and the 6 ♯ scales [i] are not identical—even though they are on the piano keyboard—but the ♭ scales are one Pythagorean comma lower. Disregarding this difference leads to enharmonic change
The default behaviour of LilyPond (pictured above) writes all single sharps or flats in the circle-of-fifths order before showing the double signs. This is the format used in John Foulds ' A World Requiem , Op. 60, which uses the key signature of G♯ major as displayed above. [ 6 ]