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The Wilderness Society is an American non-profit land conservation organization that is dedicated to protecting natural areas and federal public lands in the United States. . They advocate for the designation of federal wilderness areas and other protective designations, such as for national monumen
Reiko Tomii (富井 玲子, Tomii Reiko) is a Japanese-born art historian and curator based in New York. [1] Specializing in Japanese modern and conceptual art in its global context during the postwar period, Tomii is one of the art historians publishing in the English language on postwar Japanese art. [2]
Marshall edited The Wilderness Society's magazine, The Living Wilderness from 1957–61. [1] Another of George Marshall's contributions was to edit his brother Bob's notebooks on the Alaskan wilderness, published as Alaska Wilderness: Exploring the Central Brooks Range, now in its third edition.
Paul Raphaelson (born 1968, New York City), is an American artist best known for urban landscape photography. In the early 1990s, after moving to Providence, Rhode Island , he started producing formally complex, often dark depictions of the urban, suburban, and industrial landscape.
Born in New York City, Bob Marshall was the third of four children of Louis Marshall (1856–1929) and Florence (née Lowenstein) Marshall (1873–1916). [3]His father, the son of Jewish immigrants from Bavaria, was a noted wealthy constitutional lawyer, conservationist, and a champion of minority rights. [4]
William Albert Turnage (December 9, 1942 – October 15, 2017) was the director of The Wilderness Society from 1978 to 1985 and business manager of photographer Ansel Adams. He was known for turning the Wilderness Society into a more professional advocacy group, and was an outspoken critic of James G. Watt , the Interior Secretary in the Reagan ...
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Artcyclopedia: Paintings in Museums and Public Art Galleries; Art Archive - Asher Brown Durand Archived 2011-08-07 at the Wayback Machine; New York Historical Society - Lee A. Vedder, Luce Curatorial Fellow in American Art; Alfred L. Brophy, "Property and Progress: Antebellum Landscape Art and Property Law," McGeorge Law Review 40 (2009): 601-59.