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Khon (Thai: โขน, pronounced) is a dance drama genre from Thailand.Khon has been performed since the Ayutthaya Kingdom. [1]It is traditionally performed solely in the royal court by men in masks accompanied by narrators and a traditional piphat ensemble.
The Khon Masked Dance Drama is a performing art that combines musical, vocal, literary, dance, ritual, and handicraft elements. Khon performances – which involve graceful dance movements, instrumental and vocal renditions and glittering costumes – depict the glory of Rama, the hero and incarnation of the god Vishnu, who brings order and ...
The Thai term, taree (Thai: ตารี) borrowed from Melayu word: tari [9] → taree, and has been adopted specifically for the Thai-Malays Traditional Dance, e.g. Taree Kipas Dance Thai version. [10] The term drama in Thai word such as khon derived from Tamil word: kōṉ [11] (Tamil: கோன்) → khon, means "king and god, a king, a ...
Bangkok is home to a number of theatres, which usually feature traditional performances such as the khon masked dance, or modern Western theatre–influenced plays and performances. List of theatres [ edit ]
Traditional Thai theatre includes various forms such as Khon (masked dance-drama), Nang (which encompasses shadow play, including Nang yai and Nang talung), Lakhon (classical dance-drama), Likay (folk theatre), Manora (classical dance-drama), and Hun (puppetry). Each of these forms has its own unique style, costume, and music.
It is also used to accompany traditional Thai theatrical and dance forms including khon (Thai: โขน) (masked dance-drama), lakhon (classical dance), and shadow puppet theater. Piphat in the earlier time was called phinphat. [1] [2] [3] It is analogous to its Cambodian musical ensemble of pinpeat and Laotian ensemble of pinphat.
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Today, it is best known for traditional performances, especially of the khon masked dance. The theatre was built from 1960 to 1965, beginning under the supervision of Luang Wichit Wathakan , the prolific author and playwright who contributed much to the development of Thai nationalist discourse during the mid-20th century.