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All Music Guide to the Blues: The Definitive Guide to the Blues. San Francisco, California: Backbeat Books. ISBN 0-87930-736-6. Harrison, Daphne Duval (1990). Black Pearls: Blues Queens of the 1920s. New Brunswick and London: Rutgers. ISBN 0-8135-1280-8. Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray.
Her music career ended on December 6, 1937, after a performance on The Chevrolet Musical Moments Revue. [2] Hanshaw's singing style was relaxed and suited to the jazz-influenced pop music of the late 1920s and early 1930s. She combined the voice of an ingenue with the spirit of a flapper. She was known as The Personality Girl, and her trademark ...
Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues . Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded.
She recorded a small number of tracks for Black Patti Records in 1927 and for Brunswick Records In 1930. Her most regular pianist was Judson Brown. She was a one-time vocalist for the Famous Hokum Boys in 1930 [2] and toured and recorded as a backing vocalist for other blues artists. Alderson used a number of aliases, possibly including Kansas ...
This list of British music hall performers includes a related list of British Variety entertainers. ... Marie Studholme (1872–1930) [94] Randolph Sutton (1888 ...
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In the late 1930s, Morgan was booked for a show at Chicago's Loop Theater. She also spent time at her farm in High Falls, New York. Alcoholism plagued her, and she was hospitalized in late 1940, after playing Julie La Verne one last time in a 1940 Los Angeles stage revival of Show Boat. She made something of a comeback in 1941, thanks to her ...
The blues began in rural communities, primarily in the south. During the 1920s, classic female blues singers like Mamie Smith ("Crazy Blues") dominated the genre's sound. For most white Americans, these female singers were their first exposure to black music, or "race music" as it was then known.