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The Death of Socrates (French: La Mort de Socrate) is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting was part of the neoclassical style, popular in the 1780s, that depicted subjects from the Classical age, in this case the story of the execution of Socrates as told by Plato in his Phaedo. [1]
Jacques-Louis David, The Death of Socrates, 1787. Socrates concluded that “a man, who is one of the god’s possessions, should not kill himself ‘until the god sends some compulsion upon him, as he sends compulsion on us at present'”. [6] He thus saw one who died by suicide as condemnable, even though he did so himself.
Pages in category "Paintings about suicide" ... The Death of Seneca (David) The Death of Socrates; The Death of Sophonisba (Preti) Drowning Girl; The Dying Cleopatra; L.
2017 – Mark Fisher committed suicide by hanging. 2019 – Ágnes Heller drowned in Lake Balaton near Balatonalmádi while she was swimming. 2020 – Bernard Stiegler committed suicide. 2020 – David Graeber died of necrotic pancreatitis. 2022 – Darya Dugina was killed during a terrorist attack. 2022 – Saul Kripke died of pancreatic cancer.
The Death of Socrates by Jacques-Louis David (1787) Forced suicide was a common means of execution in ancient Greece and Rome. As a mark of respect it was generally reserved for aristocrats sentenced to death; the victims would either drink hemlock or fall on their swords. Economic motivations prompted some suicides in ancient Rome.
Socrates replies that while death is the ideal home of the soul, man, specifically the philosopher, should not commit suicide except when it becomes necessary. [ 7 ] Man ought not to kill himself because he possesses no actual ownership of himself, as he is actually the property of the gods .
The trial of Socrates took place in 399 BC. Attended by the Ancient Greek philosophers Plato (who was a student of Socrates') and Xenophon, it resulted in the death of Socrates, who was sentenced to drink the poison hemlock. The trial is chronicled in the Platonic dialogues Euthyphro, Apology, Crito, and Phaedo.
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...