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Launched in March 1966 with yard number 916, Gypsy Moth IV is 38 ft 6 in (11.73 m) on the waterline and 53 ft (16 m) overall, with a hull constructed of cold-moulded Honduras mahogany. The scheduled displacement (to follow Chichester's requirements of maximum weight) was 10.4 tons, after trials increased by 1 ton of added ballast to cope with ...
"Gypsy Wind" was the album's first successful single. In 1994, Ray Lyell travelled to Nashville, Tennessee, to begin working on his third album, Working Man, with writers, Billy Crain and Todd Cerney. Working Man was released in 1995. A decade later, Lyell released his fourth album, Running on Faith, with CMC Canada. [1]
The gypsy moth caterpillar has been reported to produce a poison ivy like rash when some people come into contact with the hairs of the larvae (caterpillar) stage. The contact can be direct or even indirect, if the small hairs are carried by the wind and onto the skin or clothing of a person.
Gypsy Caravans by E Alan Jones – looking at the history and restoration of traditional wagons. Gypsy Vans by Juliet Jeffery – Descriptions of different wagons. Travellers: An Introduction by Jon Cannon & the Travellers of Thistlebrook – Insight into the history, culture and lives of Travellers in Britain today.
Known infamously for going to war with the Atomes MC, another drug-dealing outlaw motorcycle club based out of Sherbrooke. After successfully wiping out the Atomes MC, they went on to be absorbed ("patched-over") by the Hells Angels MC in 1984 to re-emerge as what is now the Hells Angels Sherbrooke charter. Gladiators MC c. 1980s Oslo, Norway
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Bert Hinkler flies a de Havilland Puss Moth from Canada to New York City, then non-stop 2,400 km (1,500 mi) to Jamaica, then on to British Guiana and Brazil.He then flies across the South Atlantic Ocean to West Africa in extremely bad weather, becoming the first person to fly across the South Atlantic solo and only the second person after Charles Lindbergh in 1927 to fly solo across the Atlantic.
Gypsy Fortune Teller by Taras Shevchenko. Many fictional depictions of the Roma in literature and art present Romanticized narratives of their supposed mystical powers of fortune telling , and their supposed irascible or passionate temper which is paired with an indomitable love of freedom and a habit of criminality.