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"The Music and Theater of the Filipino People" by R.C. Banas, from El Filipino: Revista mensual Vol I No. 9 (1926) "The Filipino Folk Song" by Percy Hill from the Philippine magazine, Vol. XXIII, no. 3, Philippine Education Co. Manila, 1926, p. 147 "El Indio Batangueno" by Wenceslao E. Retana, Manila, Tipo-Litografia de Chofre y Cia, 1888. p. 25
Pages in category "Philippine folk songs" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes. A. Anak (song)
Notable folk song composers include the National Artist for Music Lucio San Pedro, who composed the famous "Sa Ugoy ng Duyan" that recalls the loving touch of a mother to her child. Another composer, the National Artist for Music Antonino Buenaventura, is notable for notating folk songs and dances.
"Bayan Ko" (usually translated as "My Country"; Spanish: Nuestra patria, lit. 'Our Motherland') is one of the most recognizable patriotic songs of the Philippines.It was written in Spanish by the revolutionary general José Alejandrino in light of the Philippine–American War and subsequent American occupation, and translated into Tagalog some three decades later by the poet José Corazón de ...
Folk music musical instruments. The music of the Philippines' many Indigenous peoples are associated with the various occasions that shape life in indigenous communities, including day-to-day activities as well as major life-events, which typically include "birth, initiation and graduation ceremonies; courtship and marriage; death and funeral rites; hunting, fishing, planting and harvest ...
Emmanuel Agapito Flores Lacaba (December 10, 1948 – March 18, 1976), popularly known as Eman Lacaba, was a Filipino writer, poet, essayist, playwright, short story writer, scriptwriter, songwriter and activist, often referred to as the "poet warrior" of the Philippines.
The most popular Tagalog version of the Pasyón today is the Casaysayan nang Pasiong Mahal ni Hesucristong Panginoon Natin na Sucat Ipag-alab nang Puso nang Sinomang Babasa (modern orthography: “Kasaysayan ng Pasyóng Mahál ni Hesukristong Panginoón Natin na Sukat Ipág-alab ng Pusò ng Sínumang Babasa”, "The Story of the Passion of Jesus Christ, Our Lord, which Rightly Shall Ignite the ...
Villame blended Filipino folk melodies, popular tunes and nursery rhymes for his music and then added witty, comedic lyrics that mixed Tagalog, Cebuano and English in a unique grammar he had devised. He also sang of Filipinos’ daily experiences such as traffic congestion in the song "Trapik". [ 6 ]