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Kilim are therefore called flatweave or flatware rugs. [1] To create a sharp pattern, weavers usually end each pattern element at a particular thread, winding the coloured weft threads back around the same warps, leaving a narrow gap or slit. These are prized by collectors for the crispness of their decoration.
He interpreted all these features—the short second toe with enlarged claw, short metatarsus, etc.—as support for the use of the hind leg as an offensive weapon, where the sickle claw would strike downwards and backwards, and the leg pulled back and down at the same time, slashing and tearing at the prey.
Rug hooking is both an art and a craft where rugs are made by pulling loops of yarn or fabric through a stiff woven base such as burlap, linen, or rug warp. The loops are pulled through the backing material by using a crochet -type hook mounted in a handle (usually wood) for leverage.
What begins as a typical YouTube vlog highlighting his new house turns into a horror movie — thanks to his neighbors. Plotkin and FaZe Rug talk about making the film during the pandemic and FaZe ...
A sickle-hocked leg structure is one in which the back leg joints of an animal, usually a horse or other equine mammal, are set with too much angle, resulting in the hock also being excessively angled. This can result in uneven hoof wear, which is incredibly painful for the affected horse.
A kusarigama (Japanese: 鎖鎌, lit. "chain-sickle") is a traditional Japanese weapon that consists of a kama (the Japanese equivalent of a sickle or billhook) on a kusari-fundo – a type of metal chain (kusari) with a heavy iron weight (fundo) at the end. The kusarigama is said to have been developed during the Muromachi period.
The rugs continued to be popular through the 19th century. The design motifs on early American hooked rugs varied, consisting predominantly of geometric patterns, floral designs, landscapes, seascapes and animals. No matter what the motif, hooked rugs displayed a great sense of individual expression.
Skeletons of a human and an elephant. Comparative foot morphology involves comparing the form of distal limb structures of a variety of terrestrial vertebrates.Understanding the role that the foot plays for each type of organism must take account of the differences in body type, foot shape, arrangement of structures, loading conditions and other variables.