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A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else). However, there are ...
A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g., "Her eyes were glistening jewels".
The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as". A simile is a comparison used to attract the reader's attention and describe something in descriptive terms. Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects." (from "Sweet ...
Schadenfreude (/ ˈ ʃ ɑː d ən f r ɔɪ d ə /; German: [ˈʃaːdn̩ˌfʁɔʏ̯də] ⓘ; lit. Tooltip literal translation "harm-joy") is the experience of pleasure, joy, or self-satisfaction that comes from learning of or witnessing the troubles, failures, pain, suffering, or humiliation of another.
Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive. In addition, these meanings are alluded to in older pictures, songs and writings.
Specifically, Milton reduces his use of simile and deploys a simpler syntax in Paradise Regained than he does in Paradise Lost, and this is consistent with Biblical descriptions of Jesus's plainness in his life and teachings (in the epic, he prefers Hebrew Psalms to Greek poetry).
Visual metaphors are a type of metaphor. There are two types: spatial metaphors and stylistic metaphors. [6] Spatial visual metaphors include where objects are located, their size, whether they are abstract or realistic, and how it is arranged in respect to other objects. Stylistic visual metaphors are more about how they look specifically.
The albatross visits the Mariner and his crew in Samuel Taylor Coleridge's The Rime of the Ancient Mariner, illustrated in 1876 by Gustave Doré.. The word albatross is sometimes used metaphorically to mean a psychological burden (most often associated with guilt or shame) that feels like a curse.