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(The chordal three-note upbeats in the left hand have been anticipated by the transition to this episode in bar 22, a clever unifying touch.) This suggests a rather expansive form, but Beethoven suddenly returns to the dominant of A minor in bar 34, once again lingering on the dominant E and its lower neighbor and leading to an exact repeat of ...
Short title: Untitled; File change date and time: 11:44, 25 July 2007: Date and time of digitizing: 11:44, 25 July 2007: Software used: LilyPond 2.10.25: Conversion program
The entire harmonic structure, with one exception, is constructed so that the left-hand part outlines a B-minor triad directly below the right-hand melody. Thus, when the melody is on a C# or D, the left hand is on a B. When the melody is on an E or F#, the left hand is on a D, and when the melody is on a G, A, or B, the left hand is on an F#.
Concertino for piano (left hand) and orchestra, Op. 65: 1954 Karl Weigl: Concerto for the left hand [2] 1924 Takashi Yoshimatsu: Concerto for Piano Left Hand and Chamber Orchestra "Cepheus Note", Op. 102: 2007 Géza Zichy: Piano Concerto in E-flat for the left hand (written for himself to play) 1895 Ján Zimmer: Piano Concerto No. 5 for the ...
Diversions for Piano Left Hand and Orchestra This page was last edited on 25 July 2024, at 08:06 (UTC). Text is ...
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