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Juana Inés de Asbaje y Ramírez de Santillana, better known as Sor Juana Inés de la Cruz [a] OSH (12 November 1651 – 17 April 1695), [1] was a New Spain (considered Mexican by many authors) [2] writer, philosopher, composer and poet of the Baroque period, as well as a Hieronymite nun, nicknamed "The Tenth Muse" and "The Phoenix of America" by her contemporary critics. [1]
Sor Juana Inés de la Cruz; Usage on cs.wikipedia.org Juana Inés de la Cruz; Usage on es.wikipedia.org Juana Inés de la Cruz; Usage on et.wikipedia.org Ioanna Agnes a Cruce; Usage on pt.wikipedia.org Juana Inés de la Cruz; Usage on uk.wikipedia.org Список феміністок та феміністів; Usage on vi.wikipedia.org Juana ...
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Miguel Cabrera painting Sor Juana with help. The image of Sor Juana Inés de la Cruz (1648–1695) and Miguel Mateo Maldonado Cabrera (1695–1768) [89] fills the center of the colonial panel. Note that Sor Juana died in 1695, the same year that Miguel Cabrera was born. Cabrera nevertheless painted a renowned portrait of Sor Juana.
Sor Juana penned The House of Desire in celebration of José, the son of Tomás de la Cerda y Aragón and wife María Luisa Manrique de Lara y Gonzaga (nicknamed "Lysi" by the nuns in her community), who were Marquises of La Laguna and Viceroys of New Spain, as well as significant patrons of the poet. [10]
He is also known for his posthumous portrait of the seventeenth-century poet Sor Juana Inés de la Cruz. Cabrera is currently most famous for his casta paintings. One of the sixteen in the set that was missing for many years was purchased by the Los Angeles County Museum of Art in 2015. [3]
Sor Juana Inés de la Cruz, posthumous painting by Miguel Cabrera. Seventeenth-century Mexico City had two savants, Don Carlos de Sigüenza y Góngora and Doña Juana Inés de Asbaje y Ramírez de Santillana, known to posterity as the Hieronymite nun, Sor Juana Inés de la Cruz. It is unclear at what point the two made their acquaintance, but ...
Humanismo y religión en Sor Juana Inés de la Cruz. Ciudad de Mexico: Universidad Nacional Autónoma de Mexico, 1983. Benoist, Valérie. “‘El escribirlo no parte de la osadía: Tradición y mímica en la loa para El divino Narciso de Sor Juana Inés de la Cruz.” Latin American Theatre Review. 33. (1999): 73-90. Web. 27 Nov. 2011