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Night Gallery is an American anthology television series that aired on NBC from December 16, 1970, to May 27, 1973, featuring stories of horror and the macabre. Rod Serling, who had gained fame from an earlier series, The Twilight Zone, served both as the on-air host of Night Gallery and as a major contributor of scripts, although he did not have the same control of content and tone as he had ...
Archip Kuindshi, Moonlit Night on the Dnieper 1882 James Abbott McNeill Whistler, Nocturne in Black and Gold – The Falling Rocket, 1874 [1] [2] The depiction of night in paintings is common in Western art. Paintings that feature a night scene as the theme may be religious or history paintings, genre scenes, portraits, landscapes, or
A woman (Susan Strasberg) experiences déjà vu when she picks up a marine hitchhiker (Robert F. Lyons). Note The conclusion of this episode is foreshadowed by the painting, which shows a confused Rod Serling.
In 1909, the art collector Comtesse de Béhague gave the portrait its current frame, [129] a Renaissance-era work consistent with the historical period of the Mona Lisa. The edges of the painting have been trimmed at least once in its history to fit the picture into various frames, albeit no part of the original paint layer has been trimmed. [85]
The Nightmare is a 1781 oil painting by the Swiss artist Henry Fuseli.It shows a woman with her arms thrown below her, in deep sleep as she undergoes a nightmare as an almost hidden horse (the "night-mare") looks on as a demonic and ape-like incubus crouches on her chest. [1]
Art historian Mary Garrard believes that Judith Slaying Holofernes portrays Judith as a "socially liberated woman who punishes masculine wrongdoing". [13] Although the painting depicts a scene from the Bible, art historians have suggested that Gentileschi drew herself as Judith and her mentor Agostino Tassi , who was tried for and convicted of ...
Renaissance figure Michelangelo may have depicted a woman suffering from breast cancer in a famous fresco of a biblical flood on the ceiling of the Sistine Chapel, according to researchers.. The ...
The woman at the bar is a real person, known as Suzon, who worked at the Folies-Bergère in the early 1880s. For his painting, Manet posed her in his studio. By including a dish of oranges in the foreground, Manet identifies the barmaid as a prostitute, according to art historian Larry L. Ligo, who says that Manet habitually associated oranges ...