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Method 2 will work in more general cases, e.g. where the ratio of sample rates is not rational, or two real-time streams must be accommodated, or the sample rates are time-varying. See decimation and upsampling for further information on sample-rate conversion filter design/implementation.
In this example, f s is the sampling rate, and 0.5 cycle/sample × f s is the corresponding Nyquist frequency. The black dot plotted at 0.6 f s represents the amplitude and frequency of a sinusoidal function whose frequency is 60% of the sample rate. The other three dots indicate the frequencies and amplitudes of three other sinusoids that ...
A typical choice of characteristic frequency is the sampling rate that is used to create the digital signal from a continuous one. The normalized quantity, f ′ = f f s , {\displaystyle f'={\tfrac {f}{f_{s}}},} has the unit cycle per sample regardless of whether the original signal is a function of time or distance.
The Casio SK-1 is a small sampling keyboard made by Casio in 1985. [1] [2] It has 32 small sized piano keys, four-note polyphony, with a sampling bit depth of 8 bit PCM and a sample rate of 9.38 kHz for 1.4 seconds, a built-in microphone and line level and microphone inputs for sampling, and an internal speaker and line out.
A measurement of the variation in period (periodic jitter) and absolute timing (random jitter) between measured clock timing versus an ideal clock. Less jitter is generally better for sampling systems. Sample rate A specification of the rate at which measurements are taken of the analogue signal. This is measured in samples per second, or hertz ...
Sampling rate used by the Mitsubishi X-80 digital audio recorder. 64,000 Hz Uncommonly used, but supported by some hardware [18] [19] and software. [20] [21] 88,200 Hz Sampling rate used by some professional recording equipment when the destination is CD (multiples of 44,100 Hz).
An analog signal (in red) encoded to 4-bit PCM digital samples (in blue); the bit depth is four, so each sample's amplitude is one of 16 possible values (16 = 2 4). In digital audio using pulse-code modulation (PCM), bit depth is the number of bits of information in each sample, and it directly corresponds to the resolution of each sample
Sampling and quantization of a signal (red) for 4-bit LPCM over a time domain at specific frequency. In the diagram, a sine wave (red curve) is sampled and quantized for PCM. The sine wave is sampled at regular intervals, shown as vertical lines. For each sample, one of the available values (on the y-axis) is chosen.