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As a result of these experiments, colored notation does seem to help early music students to learn notation and rhythms more than students with uncolored notation. In Rogers' 1991 study of color-coded notation, it is clear that students relied more heavily on the colors that were assigned to the notation, rather than on learning the notation.
Graphic notation (or graphic score) is the representation of music through the use of visual symbols outside the realm of traditional music notation. Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation. [1] Graphic notation was influenced by contemporary visual art ...
Many composers have applied graphic notation to write compositions. Pioneering examples are the graphical scores of John Cage and Morton Feldman . Also known is the graphical score of György Ligeti 's Artikulation designed by Rainer Wehinger, and Sylvano Bussotti .
A breath mark. A breath mark or luftpause is a symbol used in musical notation.It directs the performer of the music passage to take a breath (for wind instruments and vocalists), or to make a slight pause (for other instruments).
In music notation, a ligature is a graphic symbol that tells a musician to perform two or more notes in a single gesture, and on a single syllable. It was primarily used from around 800 to 1650 AD. Ligatures are characteristic of neumatic (chant) and mensural notation.
Notation The slide ( Schleifer in German, Coulé in French, Superjectio in Latin) [ 1 ] is a musical ornament often found in baroque musical works, but used during many different periods. [ 1 ] It instructs the performer to begin two or three scale steps below the marked note and "slide" upward—that is, move stepwise diatonically between the ...
Music engraving is the art of drawing music notation at high quality for the purpose of mechanical reproduction. The term music copying is almost equivalent—though music engraving implies a higher degree of skill and quality, usually for publication.
Another class of eye music is when the score is purposely made difficult for the performer. [1] For example, in Benedetto Marcello's cantata Stravaganze d’amore, the continuo part is written entirely in enharmonic chords, that is, "puns" of chord indications spelled with no regard to the key of the rest of the ensemble, but (in equal temperament) indistinguishable audibly from those spelled ...