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The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
A 2024 study linked getting too few hours of shut-eye with high blood pressure. However, some blood pressure medications have a side effect of making you feel sleepy during the day, regardless of ...
These chords stand in the same relationship to one another (in the relative minor key) as do the three major chords, so that they may be viewed as the first (i), fourth (iv) and fifth (v) degrees of the relative minor key. For example, the relative minor of C major is A minor, and in the key of A minor, the i, iv and v chords are A minor, D ...
Guidelines on the choice of agents and how best to step up treatment for various subgroups in hypertension (high blood pressure) have changed over time and differ between countries. A Comparison of International Guidelines on Goal Blood Pressure and Initial Therapy for Adults With Hypertension (adapted from JNC 8 guidelines [ 1 ] )
Smile (sometimes stylized as SMiLE) [1] is an unfinished album by the American rock band the Beach Boys that was intended to follow their 1966 album Pet Sounds.It was to be an LP of twelve tracks assembled from modular fragments, the same editing process used for their "Good Vibrations" single.
The song ideas began early in the production of the album. Crocker worked with Ligthelm later back in Australia to write more of the lyrics and Ligthelm helped deciding that the theme of the song should be about stepping into the unknown and Peter having blind trust to walk on water. Much of the melody was written over the course of 10 days at ...
"If I Should Fall Behind" was released also as the B-side of Springsteen's hit single "Streets of Philadelphia"; [6] live versions were released on the albums In Concert/MTV Plugged, [7] Bruce Springsteen & The E Street Band: Live in New York City [8] and even the live album with the Seeger Sessions Band Bruce Springsteen with The Sessions Band ...
Others noted that it "served as a bridge to the R&B of the past and the rap scene of the future", [17] that "it came to symbolize the garage rock genre, where the typical performance was often aggressive and usually amateurish", [18] and that "all you need to make a great rock 'n' roll record are the chords to 'Louie Louie' and a bad attitude."