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Influenced by the wedding dress of Lady Diana Spencer, [4] a notable feature of Sarah Ferguson's 17-foot (5.2 m) long train was the intertwined initials A and S sewn in silver beads. [1] The headdress and bouquet, fabric rosettes or artificial silk flowers were used to adorn the gown itself. [ 1 ]
The dress featured "lace flounces adorning neckline and sleeves". [8] A replica of the dress at West Edmonton Mall, in Edmonton, Canada, in 2013. Fittings of the dress posed difficulties because Diana had developed bulimia and dropped from a size 14 to a size 10 in the months leading up to the wedding. Even the seamstress was concerned about ...
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This was the inspiration for the use of ivory silk with flower designs of jasmine, smilax, lilac and white rose-like blossoms added to the train, embellished by white crystals and pearls. These motifs were transferred to drawings to enable embroidery experts to work on them. The dress featured a "heart-shaped neckline and long tight sleeves". [7]
Court dress with long train. Portugal, c.1845. In clothing, a train describes the long back portion of a robe, coat, cloak, skirt, overskirt, or dress that trails behind the wearer. It is a common part of ceremonial robes in academic dress, court dress or court uniform. It is also a common part of a woman's formal evening gowns or wedding dresses.
Princess di Sant' Antimo's gown of watered silk shows the short sleeves, lace flounce collar, and long pointed waist of the early 1840s. The tiny pleats that gather her skirt can be seen at the waistline. 1840–1844. Shoulders were narrow and sloping, waists became low and pointed, and sleeve detail migrated from the elbow to the wrists.