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A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. [3] A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. [4] A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives.
In music, a cadenza, (from Italian: cadenza [kaˈdɛntsa], meaning cadence; plural, cadenze [kaˈdɛntse]) is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display.
Where this musical device is used in music written in a minor key, it is common for it to be combined with a Picardy third, ultimately producing a major tonic. The Corelli cadence is another "clash cadence" containing a dissonant half-step. Also the English Cadence was a drum beating, commonly known as the Long March.
A phrase is a substantial musical thought, which ends with a musical punctuation called a cadence. Phrases are created in music through an interaction of melody, harmony, and rhythm. [3] Giuseppe Cambini—a composer, violinist, and music teacher of the Classical period—had this to say about bowed string instruments, specifically violin ...
A Landini cadence (Landini sixth or Landini sixth cadence), or under-third cadence, [4] is a type of cadence, a technique in music composition, named after Francesco Landini (1325–1397), an influential Italian composer, in honor of his extensive use of the technique. The technique was used extensively in the 14th and early 15th century.
In music theory, a phrase (Greek: φράση) is a unit of musical meter that has a complete musical sense of its own, [5] built from figures, motifs, and cells, and combining to form melodies, periods and larger sections. [6] A phrase is a substantial musical thought, which ends with a musical punctuation called a cadence.
In music, a drum cadence or street beat is a work played exclusively by the percussion section of a modern marching band (see marching percussion). It is stylistically descended from early military marches , and related to military cadences , as both are a means of providing a beat while marching .
The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise: iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [1] It is otherwise known as the minor ...