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This concerto consists of three movements: Vivace; Un poco adagio; Rondo all'Ungarese; The first and second movements contain cadenzas. The original scores of this cadenza, handwritten by Haydn, have survived. The work is scored for solo keyboard and an orchestra consisting of two oboes, two horns in D, and strings. Nowadays, it mostly is ...
Two works often identified and even published as piano concertos by Haydn, and commonly taught to younger piano students, are actually Divertimenti, grouped in Hob. XIV. Specifically, they are Hob. XIV:3 (the "Little Concerto" in C major), and Hob. XIV:4 (another "concerto" in C major).
A harpsichord concerto is a piece of music for an orchestra with the harpsichord in a solo role (though for another sense, see below). Sometimes these works are played on the modern piano (see piano concerto ).
Print/export Download as PDF ... Harpsichord Concerto in A major, BWV 1055; ... Keyboard Concerto No. 11 (Haydn) L. Concertino for Harpsichord and String Orchestra ...
Compositions in which the beginning only hints at a possible reading of a major key without really establishing it, such as the Brahms Clarinet Quintet, Haydn's two string quartets, Op. 33 No. 1 and Op. 64 No. 2, C. P. E. Bach's Piano Sonata, Wq. 55/3, or the first movement of Alkan's Grande sonate 'Les quatre âges' (all of which are in B ...
Keyboard Concerto No. 3 F major c. 1765 Keyboard, strings XVIII:4 Keyboard Concerto No. 4 G major 1770 Keyboard, orchestra XVIII:5 Keyboard Concerto No. 5 C major 1763 or before Keyboard, strings uncertain, perhaps to be attributed to Georg Christoph Wagenseil: XVIII:6 Keyboard and Violin Concerto No. 6 F major 1766 or before
In contrast, low C and D, both roots of very common chords, are sorely missed if a harpsichord with lowest key E is tuned to match the keyboard layout. When scholars specify the pitch range of instruments with this kind of short octave, they write "C/E", meaning that the lowest note is a C, played on a key that normally would sound E.
E ♭ major: 1766: 30: 19: D major: 1767: 31: 46: A ♭ major: 1767–70: 32: 44: G minor: 1771–73: 33: 20: C minor: 1771: The first of Haydn’s keyboard works to be conceived with the dynamic contrasts only possible with a touch sensitive keyboard e.g. clavichord or fortepiano rather than harpsichord.