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While the word ragtime was first known to be used in 1896, the term probably originates in the dance events hosted by plantation slaves known as “rags”. [4] The first recorded use of the term ragtime was by vaudeville musician Ben Harney who in 1896 used it to describe the piano music he played (which he had extracted from banjo and fiddle players).
Ragtime shared similarities with both blues and jazz, the two rival forms of African-American music at the time. It was primarily piano-based, and could be performed by a single person (more like the blues) or by an entire orchestra (more like jazz). Scott Joplin was the most famous ragtime musician.
One blues rock performer, Jimi Hendrix, was a rarity in his field at the time: a Black man who played psychedelic rock. Hendrix was a skilled guitarist, and a pioneer in the innovative use of distortion and audio feedback in his music. [119] Through these artists and others, blues music influenced the development of rock music.
The origins of rock and roll are complex.Rock and roll emerged as a defined musical style in the United States in the early to mid-1950s. It derived most directly from the rhythm and blues music of the 1940s, [1] which itself developed from earlier blues, the beat-heavy jump blues, boogie woogie, up-tempo jazz, and swing music.
For more than 20 years, the River Raisin Ragtime Revue has worked to preserve the history of America's original popular music.
The upper class even became more accepting of dance music that began in lower classes. An example of this is ragtime dance and music. Ragtime had a "lively, infectious new sound". [1] Some other forms of dancing that made a huge impact were jazz and swing dance. These dances are both energetic and had their own personality and culture.
The historian Sylviane Diouf and ethnomusicologist Gerhard Kubik identify Islamic music as an influence on blues music. [11] [12] Diouf notes a striking resemblance between the Islamic call to prayer (originating from Bilal ibn Rabah, a famous Abyssinian African Muslim in the early 7th century) and 19th-century field holler music, noting that both have similar lyrics praising God, melody, note ...
Blues dancing originated in the dances brought to America by enslaved Africans, who followed sub-Saharan African music traditions.There is no documented evidence across the history of pre-colonial sub-Saharan African dance for sustained one-on-one mixed-gender partnered dancing; African cultures apparently considered this type of dancing to be inappropriate.