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While the word ragtime was first known to be used in 1896, the term probably originates in the dance events hosted by plantation slaves known as “rags”. [4] The first recorded use of the term ragtime was by vaudeville musician Ben Harney who in 1896 used it to describe the piano music he played (which he had extracted from banjo and fiddle players).
A cornetist who played during the 1890s described the music where the slow drag was done, in the "less fashionable groups in town", as "more raggy" than the music that was played for the more "high-toned" dances. [2] Slow drag was one of ten dance themes Joplin included in his composition "The Ragtime Dance," written in 1899 and published in ...
Ragtime shared similarities with both blues and jazz, the two rival forms of African-American music at the time. It was primarily piano-based, and could be performed by a single person (more like the blues) or by an entire orchestra (more like jazz). Scott Joplin was the most famous ragtime musician.
Although the music contained few ragtime elements, it started a ragtime craze and introduced the vernacular as a valid form of expression in song lyrics. [26] The melody was allegedly copied from a Scott Joplin composition. [27] 1912 – "The Memphis Blues". [28] Blues composition by W. C. Handy with lyrics by George A
As a composer, Joplin refined ragtime, developing it from the dance music played by pianists in brothels in cities like St. Louis. [5] This new art form, the classic rag , combined Afro-American folk music's syncopation and nineteenth-century European romanticism , with its harmonic schemes and its march-like tempos, in particular the works of ...
The dirty blues are good for dancing the slow drag, [15] while hokum, with its bouncy, ragtime-influenced [16] songs is intended for more lively dance style typical for the "mischievous branch" of music (similar to lundu, maxixe, xote, or samba). [15]
Charles Luckyth Roberts (August 7, 1887 – February 5, 1968), [2] better known as Luckey Roberts, was an American composer and stride pianist who worked in the jazz, ragtime, and blues styles. Roberts performed as musician, band/orchestra conductor, and dancer. He taught music and dance.
Clarence "Pinetop" Smith (June 11, 1904 – March 15, 1929), [1] was an American boogie-woogie style blues pianist. His hit tune "Pinetop's Boogie Woogie" featured rhythmic "breaks" that were an essential ingredient of ragtime music, but also a fundamental foreshadowing of rock and roll. [2]