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Der Freischütz (J. 277, Op. 77 The Marksman [1] or The Freeshooter [2]) is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun [3] from their 1810 collection Gespensterbuch.
Carl Maria von Weber in 1821. The following is a complete list of compositions by Carl Maria von Weber in order of both opus number and catalogue number. A complete chronological catalogue of Weber's works was compiled by Friedrich Wilhelm Jähns and published in 1871.
On the morning of the Der Freischütz premiere, Weber played the Konzertstück through to his wife Caroline and his pupil Julius Benedict, and told them the program: [1] (F minor; Larghetto affetuoso): "A châtelaine sits alone on her balcony, gazing off in the distance. Her knight has gone on a Crusade to the Holy Land.
Carl Maria Friedrich Ernst von Weber was born around 18 November 1786 in Eutin, Bishopric of Lübeck. [1] [3] He was the eldest of the three children of Franz Anton von Weber and his second wife, Genovefa Weber, a Viennese singer.
Weber: Der Freischütz (Overture) Stuttgart Radio Symphony Orchestra – 1996 Toshiba-EMI TOLW-3751/4 [36] Released as an LD in 1996: Strauss II: Die Fledermaus (Overture) – 1993 Capanella 001 [37] Released as an LD in 1996: 22 April 1970 Weber: Der Freischütz (Overture) Stuttgart Radio Symphony Orchestra – 1996 Toshiba EMI TOLW-3751/4 [36 ...
Weber dedicated Invitation to the Dance to his wife Caroline (they had been married only a few months). [1] He labelled the work "rondeau brillante", and he wrote it while also writing his opera Der Freischütz. It was the first concert waltz to be written: that is, the first work in waltz form meant for listening rather than for dancing.
Der Freischütz, his most famous and significant work, remains among the most revered German operas. [6] After his family moved to Munich in 1798, the 13 year old Weber began study with Johann Nepomuk Kalcher, under whose supervision he wrote his first opera, the Singspiel Die Macht der Liebe und des Weins; the work was never performed.