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Panakawan (right) accompanied their masters in a traditional wayang wong theater performance in Yogyakarta.September 1923. Panakawan in wayang kulit, from left to right: Bagong, Petruk, Gareng, and Semar.
Wayang beber (Javanese: ꦮꦪꦁꦧꦺꦧꦺꦂ, romanized: wayang bèbèr (in the ngoko register)) [1] is an Indonesian wayang performance art whose presentation is manifested in a stretch sheets of paper or cloth with pictures in the stylized wayang accompanied by a narration by a dalang. [2]
In Kelantan, Peninsular Malaysia, a similar figure is set up in the local iteration of the performance known as the pohon beringin ("banyan"). [3] [4] The beringin is often displayed in the beginning and the end of the performance symbolizing "a world loaded with lives...in the water, on the land and in the air".
Petruk is one of the four Punokawan, together with Semar (the leader/father figure), Bagong, and Gareng; Petruk acts as the middle child.They are portrayed living together as a harmonious family. [1]
Cepot, as a wayang golek puppet. Cepot or Astrajingga [1] is one of the wayang golek characters in Sundanese puppetry. Cepot is a punokawan alongside Dawala and Garéng, which do not exist in the original Mahabharata or Ramayana.
Pura Penataran Agung Lempuyang is a Balinese Hindu temple or pura on Mount Lempuyang in Karangasem Regency, Bali.It is the first and lowest temple of the complex of temples called Pura Lempuyang.
Wewe Gombel is a female supernatural being or vengeful ghost in Javanese mythology. It is said that she kidnaps children. [1]This myth is taught to encourage children to be cautious and to stay at home at night.
The statue of Durga Mahisasuramardini in the northern cella of Shiva temple, thought to be Princess Rara Jonggrang Shiva temple, the main temple at Prambanan. The Legend of Roro Jonggrang (Javanese: ꦫꦫꦗꦺꦴꦁꦒꦿꦁ, romanized: Rara Jonggrang) is a Javanese popular legend from Central Java telling the story of love and betrayal, the warrior and the cursed princess.