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Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing the Lindy Hop. In contrast to the typical jazz emphasis on ...
The swing era (also frequently referred to as the big band era) was the period (1933–1947) when big band swing music was the most popular music in the United States, especially for teenagers.
Swing bands and sales continued to decline from 1953 to 1954. In 1955, a list of top recording artists from the previous year was publicly released. The list revealed that big band sales had decreased since the early 1950s. [37] However, big band music saw a revival in the 1950s and 1960s.
The most notable of these, in no small part thanks to a long postwar TV career, was the band of Lawrence Welk. While swing bands could be found in most major cities during the 1930s–1940s, the most popular and famous were the bands of Glenn Miller, Benny Goodman, and Artie Shaw, which had national followings and sold huge numbers.
While the Big Band Era suggests that big bands flourished for a short period, they have been a part of jazz music since their emergence in the 1920s when white concert bands adopted the rhythms and musical forms of small African-American jazz combos.
Gordon Goodwin (born 1954) (Big Phat Band) Glen Gray (1900-1963) ( Casa Loma Orchestra ) (1927-1963) George Gee (George Gee Swing Orchestra; formerly known as the Make-Believe Ballroom Orchestra)
James Fletcher Hamilton Henderson (December 18, 1897 – December 29, 1952) [1] was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music.
Almost every jazz history depicts Kansas City jazz as a fertile ground for the development of big bands, virtuosic performances, and legendary performers. [3] In the 1920s was a Great Migration from the south and the search for musical work in Kansas City, Missouri, [ 4 ] where the Black population rose from 23,500 to 42,000 between 1912 and 1940.