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Busy Bodies is a 1933 short comedy film starring Laurel and Hardy. Plot Stan and Ollie embark on their journey to their new employment at the sawmill with a sense of ...
Oliver Hardy without his trademark moustache in Yes, Yes, Nanette (1925) Oliver Hardy (January 18, 1892 – August 7, 1957) was born Norvell Hardy in Harlem, Georgia, United States. [23] By his late teens, Hardy was a popular stage singer and he operated a movie house in Milledgeville, Georgia, the Palace Theater, financed in part by his mother ...
Oliver Hardy was born Norvell Hardy on January 18, 1892, [1] in Harlem, Georgia. [2] His father, Oliver, was a Confederate States Army veteran of the American Civil War who had been wounded at the Battle of Antietam on September 17, 1862, and was a recruiting officer for Company K, 16th Georgia Regiment.
This list contains only the films that Laurel and Hardy made together. For their solo films see Stan Laurel filmography and Oliver Hardy filmography. Laurel (left) and Hardy in Bonnie Scotland (1935) Laurel and Hardy were a motion picture comedy team whose official filmography consists of 106 films released between 1921 and 1951. [1]
These are the films of Oliver Hardy as an actor without Stan Laurel.For the filmography of Laurel and Hardy as a team, see Laurel and Hardy filmography.. Oliver Norvell Hardy (born Norvell Hardy; January 18, 1892 – August 7, 1957) was an American comic actor and one half of Laurel and Hardy, the double act that began in the era of silent films and lasted from 1927 to 1957.
Stan Laurel and Oliver Hardy: United States: Short Film: The House That Shadows Built: Groucho Marx, Harpo Marx, Chico Marx: United States: Short Film: High Stakes: Lowell Sherman: Lowell Sherman, Mae Murray, Karen Morley: United States: Laugh and Get Rich: Gregory La Cava: Edna May Oliver, Hugh Herbert, Dorothy Lee: United States: Lonely Wives ...
Stan Laurel and Oliver Hardy, descendants of illustrious ancestry as a butler and chef, find themselves unemployed in the year 1932. Their attempts to secure employment abroad prove futile, prompting their return to the U.S. in 1944, where they are suddenly besieged by eager employers in dire need of domestic assistance.
A departure from the traditional Laurel and Hardy archetype is observed in Our Relations,, as Stan and Ollie assume the roles of upstanding individuals, each with a spouse and stable employment, a departure from their typical portrayal as hapless yet endearing characters struggling to make ends meet.