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In 1850, a moving panorama of Pilgrim's Progress, known as the Bunyan Tableuax or the Grand Moving Panorama of Pilgrim's Progress was painted by Joseph Kyle and Edward Harrison May and displayed in New York; an early copy of this panorama survives and is at the Saco Museum in Maine. The novel was made into a film, Pilgrim's Progress, in 1912.
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The Innocents Abroad, or The New Pilgrim's Progress is a travel book by American author Mark Twain. [2] Published in 1869, it humorously chronicles what Twain called his "Great Pleasure Excursion" on board the chartered steamship Quaker City (formerly USS Quaker City) through Europe and the Holy Land with a group of American travelers in 1867.
John Bunyan (/ ˈ b ʌ n j ə n /; 1628 – 31 August 1688) was an English writer and Puritan preacher. He is best remembered as the author of the Christian allegory The Pilgrim's Progress, which also became an influential literary model.
The Slough of Despond, illustrated by Rachael Robinson Elmer, 1913. The Slough of Despond (/ ˈ s l aʊ ... d ɪ ˈ s p ɒ n d / or / ˈ s l uː /; [1] "swamp of despair") is a fictional bog in John Bunyan's allegory The Pilgrim's Progress, into which the protagonist Christian sinks under the weight of his sins and his sense of guilt for them.
The Pilgrim's Regress is a book of allegorical fiction by C. S. Lewis. This 1933 novel was Lewis's first published work of prose fiction, and his third piece of work to be published and first after he converted to Christianity. [ 1 ]
Hawthorne's story makes several references to the original The Pilgrim's Progress. Evangelist, who first directs Christian on his journey, is updated to a worker at the train station's ticket office. Apollyon, leader of the city of Destruction who fights a battle with Christian in the Valley of Humiliation, has become chief conductor.
The Pilgrim's Progress is an opera by Ralph Vaughan Williams, based on John Bunyan's 1678 allegory The Pilgrim's Progress. The composer himself described the work as a 'Morality' rather than an opera. Nonetheless, he intended the work to be performed on stage, rather than in a church or cathedral.