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Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
Aside from the Big Muff, Electro-Harmonix has made the Nano Muff, the Metal Muff, which has a 3-band EQ and is a distortion; the Little Big Muff, a smaller variation of the current NYC model, the Deluxe Big Muff, the 77/78 op-amp Big Muff, designed by Howard Davis, which uses IC's to create the Fuzz whereas all others, except the Deluxe Big ...
The Big Muff Pi (π), often known simply as the Big Muff, is a fuzz pedal produced in New York City by the Electro-Harmonix company, along with their Russian sister company Sovtek, primarily for use with the electric guitar. Released in 1969 and designed with an emphasis on long sustain compared to existing fuzzes, the Big Muff Pi was the first ...
In 1974 he worked for Electro-Harmonix in New York, where he first designed guitar pedals like the Small Stone phaser and Electric Mistress flanger. Still working for Electro-Harmonix, in 1980, Cockerell designed one of the first digital delay pedals with looping capabilities, the Instant Replay, followed by the 2 Second Digital Delay in 1981 ...
From the Wiki: "Electro Harmonix stopped making pedals in the mid 1990s and concentrated on vacuum tubes for guitar amplifiers, which they had also been making since the 1970s. However due to demand, and the high prices guitarists were paying for old 1970s pedals on the vintage market they reissued the more popular old pedals in 1999, the Big ...
She subsequently founded Frantone and designed the Hep Cat, the company's first commercial product, which was followed by more pedal designs in the years to follow. Blanche took a hiatus from operating Frantone and worked at Electro-Harmonix, [5] from about 1997 through 2000, [3] where she designed the company's 2000 version of the Big Muff ...
Sovtek brand speaker cabinets fitted with U.S.-made Eminence speakers were also offered. At the same time, Sovtek manufactured variants of several effects pedals already manufactured in New York City by Electro-Harmonix, another company owned by Mike Matthews. Sovtek released versions of the Electro-Harmonix Big Muff and Small
Old production General Electric "narrow plate" 12AT7 (left) and current production "long plate" Electro-Harmonix 12AT7 (right) 12AT7 (also known in Europe by the Mullard–Philips tube designation of ECC81) is a miniature nine-pin medium-gain (60) dual-triode vacuum tube popular in guitar amplifiers.