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Self-portrait with Open Mouth: c. 1628-1629: Pen and brown ink with grey wash; ruled framing lines in the same brown ink: 12.7 x 9.5 cm: British Museum, London: The drawing is related to the etching B013 : Self-portrait: c. 1629: Pen: 12.7 x 9.4 cm: Rijksmuseum Amsterdam: The drawing is related to the etching B338 : St. Paul in Meditation: c ...
The format is in stark contrast to gisants, which are always in full dress, with open eyes and often with hands clasped and raised in prayer. [90] [91] The best-known examples were produced by members of the first rank of contemporary sculptors, including Conrad Meit (d. c. 1550).
A female figure with small breasts and exposed genitalia, she sits with her knees raised, her arms resting on her legs, her (six-fingered) [5] hands clasped together, as if in prayer. Her mouth, nose, eyes, and eyebrows – or those of a mask she may be wearing [5] – are formed from appliqué strips of clay.
Open palms is a gesture seen in humans and other animals [39] as a psychological and subconscious behaviour in body language to convey trust, openness and compliance. [40] Praying hands, a reverent clasping of the hands together, is an expression used in most major religions during prayer. The palms of the hands are held together with the ...
Hand wringing is a gesture characterized by repeatedly rubbing or twisting one's hands together, often as a sign of distress or nervousness, while folding or clasping.. Hand wringing has been studied in psychology to understand its underlying motivations and implications for mental well-being, of which include nonverbal communication and self-soothing beha
The drawing shows a close up of two male hands clasped together praying. Also, the partly rolled up sleeves are seen. Also, the partly rolled up sleeves are seen. The drawing used to be considered a sketch (study) for hands of an apostle , whose full picture was planned to occupy the central panel of the triptych installed in Frankfurt entitled ...
Mater Dolorosa with Clasped Hands is an oil on canvas painting of the Mater Dolorosa by Titian and his studio, created c. 1550-1555. It is now in the Museo del Prado , in Madrid . It is not to be confused with his c.1554 version of the same subject , also in the Prado.
The two hands are placed on the lap, right hand on left with fingers fully stretched (four fingers resting on each other and the thumbs facing upwards towards one another diagonally), palms facing upwards; in this manner, the hands and fingers form the shape of a triangle, which is symbolic of the spiritual fire or the Three Jewels.