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Ecce Homo: How One Becomes What One Is (German: Ecce homo: Wie man wird, was man ist) is the last original book written by philosopher Friedrich Nietzsche before his death in 1900. It was written in 1888 and was not published until 1908.
On The Genealogy of Morals and Ecce Homo, translated and edited by Walter Kaufmann (translation of On the Genealogy in collaboration with R. J. Hollingdale), New York: Vintage, 1967; this version also included in Basic Writings of Nietzsche, New York: Modern Library, 2000, ISBN 0-679-72462-1.
The Ecce Homo (Latin: "Behold the Man") in the Sanctuary of Mercy church in Borja, Spain, is a fresco painted circa 1930 by the Spanish painter Elías García Martínez depicting Jesus crowned with thorns. Both the subject and style are typical of traditional Catholic art. [1]
Ecce Homo, Caravaggio, 1605. Ecce homo (/ ˈ ɛ k s i ˈ h oʊ m oʊ /, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his crucifixion (John 19:5).
in: The Case of Wagner / Twilight of the Idols / The Antichrist / Ecce Homo / Dionysus Dithyrambs / Nietzsche Contra Wagner, The Complete Works of Friedrich Nietzsche, Volume 9, trans. Adrian Del Caro and others. Stanford University Press, 2021. Hardcover ISBN 978-0-8047-2882-9; Paperback ISBN 978-1-5036-1254-9
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Human, All Too Human: A Book for Free Spirits (German: Menschliches, Allzumenschliches: Ein Buch für freie Geister) is a book by 19th-century philosopher Friedrich Nietzsche, originally published in 1878.
Christ Presented to the People, also known as Ostentatio Christi or Ecce Homo, is a drypoint print by Rembrandt van Rijn which exists in eight states, all c.1655. It is one of the two largest prints made by Rembrandt, about 15 by 18 inches (38 cm × 46 cm), similar to his 1653 engraving of The Three Crosses .