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Two drawings taking up the theme of the painting are attributed to Poussin. One is kept in the British Museum. [5] Although very damaged, it already presents the main lines of the painting with a few variations: the soldier in the center does not extend his hand to the sky but holds the hand of Germanicus, thus remaining closer to the text of ...
His first successful painting in Rome, The Death of Germanicus, was based upon a story in the Annals of Tacitus. In his early years he devoted a series of paintings, full of color, movement and sensuality, to the Bacchanals, colorful portrayals of ceremonies devoted to the god of wine Bacchus , and celebrating the goddesses Venus and Flore .
The work of art depicted in this image and the reproduction thereof are in the public domain worldwide. The reproduction is part of a collection of reproductions compiled by The Yorck Project . The compilation copyright is held by Zenodot Verlagsgesellschaft mbH and licensed under the GNU Free Documentation License .
Copy of the Moscow painting considered to be by Poussin himself: Madrid, Prado: 45a/200 Bacchic scene or Nymph and satyr drinking: 1626–1628: 77 x 62 cm: Copy of the Prado painting considered to be by Poussin himself: Moscow, Pushkin Museum: 45b/200 Midas washing himself in the source of the river Pactolus: 1626–1628 c. 97,5 x 72,5 cm
This classicising tendency went on to make an inestimable impact on Western art, influencing many of the greatest painters of subsequent generations, from Jacques-Louis David and Ingres to Cézanne and Picasso; even today artists continue to be inspired by Poussin’s work and ideas about painting. In treating themes of death and dying, Poussin ...
Death of Germanicus (1773–1774), a marble sculpture by British sculptor Thomas Banks. [97] Thusnelda im Triumphzug des Germanicus (1873), a painting by German painter Karl von Piloty. [56] I, Claudius (1934), a historical fiction novel by classicist Robert Graves. [98] The Caesars (1968), a British television series by Philip Mackie.
Agrippina was a renowned model of noble grief in eighteenth-century neoclassical art. Conventions changed going into the Victorian period, however, with more expressive renderings of grief coming into vogue than that established by West. [9] The painting was later gifted to Yale University Art Gallery by Louis M. Rabinowitz where it remains ...
The Death of General Montgomery in the Attack on Quebec, December 31, 1775; The Death of General Wolfe; The Death of Hyacinthos; The Death of Leonardo da Vinci; The Death of Major Peirson, 6 January 1781; The Death of Marat; The Death of Nelson, 21 October 1805; The Death of Nelson (Maclise painting) The Death of Nelson (West painting)