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Since the 1960s, various names have been used to describe digital art, including computer art, electronic art, multimedia art, [2] and new media art. [ 3 ] [ 4 ] All Men Are Created Alike , by Kaloust Guedel , model-artist's father, digital photography, 50" x 56", 2002
Joseph Nechvatal (born January 15, 1951) [1]: 1176 is an American post-conceptual digital artist and art theoretician [2] who creates computer-assisted paintings and computer animations, often using custom computer viruses.
Jean-Pierre Hébert (1939 – March 28, 2021) [1] was an American artist of French origin. He specialized in algorithmic art, drawings, and mixed media.He co-founded the Algorists in 1995 with Roman Verostko.
The project has been cited as an art history's example of transforming knowledge to digital forms. [36] It aims to give more people access to art by removing barriers like cost and location. Some art or cultural exhibits have been limited to a small group of viewers (e.g. PhD students, academic researchers) due to deteriorating conditions of ...
Software art is a work of art where the creation of software, or concepts from software, play an important role; for example software applications which were created by artists and which were intended as artworks. As an artistic discipline software art has attained growing attention since the late 1990s.
Miguel Chevalier also works to promote the recognition of the field of digital art in the world by closely participating in large-scale exhibitions such as Artistes & Robots at the Grand Palais in 2018 (curators : Laurence Bertrand Dorléac et Jérôme Neutres) or Immaterial / Re-material: A Brief History of Computing Art at the UCCA in Beijing ...
ArtWorks is an advanced vector drawing package for RISC OS created by Computer Concepts (now Xara) in 1991. It has been developed by MW Software since 1996. It has been developed by MW Software since 1996.
British Art Show at Hayward Gallery includes work by Young British Artists; Jim Gary's Twentieth Century Dinosaurs opened on April 12, 1990, the only solo exhibition by a sculptor at the Smithsonian Institution's National Museum of Natural History in Washington, D.C., that drew a record number of visitors to the museum