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Free verse is an open form of poetry which does not use a prescribed or regular meter or rhyme [1] and tends to follow the rhythm of natural or irregular speech. Free verse encompasses a large range of poetic form, and the distinction between free verse and other forms (such as prose) is often ambiguous.
Among modern poems, traditionalist haiku continue to use the 5-7-5 pattern while free form haiku do not. [12] However, one of the examples below illustrates that traditional haiku masters were not always constrained by the 5-7-5 pattern either. The free form haiku was advocated for by Ogiwara Seisensui and his disciples.
Cadence (poetry) Cantiga de amor; Cantigas de escárnio e maldizer; Canto; Carmen (verse) Chant royal; Cinquain; City Lament; Clerihew; Cobla esparsa; Conversation poem; Copla (poetry) Couplet; Cumulative song; Cumulative tale
The 60 poems there have the typical German sonnet form, but are written in the long-lined free rhythms developed by Ernst Stadler. [123] Patrick Bridgwater, writing in 1985, called the work "without question the best single collection produced by a German war poet in 1914–18," but adds that it "is to this day virtually unknown even in Germany ...
The form was cultivated by his fellow troubadours, then by other poets across Continental Europe in the subsequent centuries; they contributed to what would become the "standard form" of the sestina. The earliest example of the form in English appeared in 1579, though they were rarely written in Britain until the end of the 19th century.
Some narrative poetry takes the form of a novel in verse. An example of this is The Ring and the Book by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the Romance of the Rose or Tennyson's Idylls of the King. Although those examples use medieval and Arthurian ...
On the relationship between form and content, Anne Ridler notes in an introduction to her own poem "Villanelle for the Middle of the Way" a point made by T. S. Eliot, that "to use very strict form is a help, because you concentrate on the technical difficulties of mastering the form, and allow the content of the poem a more unconscious and ...
Hokku (発句, lit. "starting verse") is the opening stanza of a Japanese orthodox collaborative linked poem, renga, or of its later derivative, renku (haikai no renga). [1] From the time of Matsuo Bashō (1644–1694), the hokku began to appear as an independent poem, and was also incorporated in haibun (in combination with prose