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The use of distortion pedals was popularized by Keith Richard's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song "(I Can't Get No) Satisfaction". [ 1 ] [ 2 ] Later pedals like the Pro Co Rat and Ibanez Tube Screamer have achieved iconic status among guitarists and are a key element in many players' tones.
The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
Gibson Maestro FZ-1 Fuzz-tone. The Maestro FZ-1 Fuzz-Tone was the first widely marketed fuzz distortion guitar and bass effect. Introduced in 1962, it achieved widespread popularity in 1965 after the Rolling Stones guitarist Keith Richards prominent use of the FZ-1 on the group's hit, "Satisfaction".
Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave , resulting in a heavily distorted or fuzzy sound.
The origins of the Pro Co "The RAT" can be traced back to the mid-1970s, when Pro Co engineers, Scott Burnham and Steve Kiraly repaired and hot-rodded existing distortion pedals, such as the Dallas Arbiter Fuzz Face. Burnham decided he could build a superior product from the ground up, and designed what would become "The RAT" pedal.
There was a footpedal (M-181) that enabled the player to switch the different effects on and off, as well as changing the order of the distortion and equalizer effects, a master bypass as well as an effects loop. Since 2006, the "M-181" product number has been re-appropriated by Jim Dunlop for the MXR Bass Blowtorch Overdrive pedal.
More complex pedals have different distortion effects (e.g., overdrive and fuzz), gates to trigger the volume at which sounds will get overdriven, mixers to mix the natural and fuzzed sound in the player's desired proportions, and multiple band equalizers (typically for low and high frequencies). Boutique fuzz bass pedals even have unusual ...
The Miracle Piano Teaching System consists of a keyboard, connecting cables, power supply, soft foot pedals, and software. The software comes either on 3.5" floppy disks for personal computers or on cartridges for video game consoles. After the supplied MIDI keyboard is connected to a console or computer and the included software is loaded, a ...