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Sonnet 71 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It's a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. It focuses on the speaker's aging and impending death in relation to his young lover.
Three sonnets are found in Romeo and Juliet: The prologue to the play ("Two households, both alike in dignity…"), the prologue to the second act ("Now old desire doth in his death-bed lie…"), and set in the form of dialogue at the moment when Romeo and Juliet meet:
The play ascribes different poetic forms to different characters, sometimes changing the form as the character develops. Romeo, for example, grows more adept at the sonnet over the course of the play. Romeo and Juliet has been adapted numerous times for stage, film, musical, and
These four plays are argued to represent a phase of Shakespeare's career when he was experimenting with rhyming iambic pentameter as an alternative form to standard blank verse; Richard II has more rhymed verse than any other history play (19.1%), Romeo and Juliet more than any other tragedy (16.6%) and Love's Labour's and Midsummer Night more ...
Sonnet 72 continues after Sonnet 71, with a plea by the poet to be forgotten.The poem avoids drowning in self-pity and exaggerated modesty by mixing in touches of irony. The first quatrain presents an image of the poet as dead and not worth remembering, and suggests an ironic reversal of roles with the idea of the young man reciting words to express his love for the poe
But now those of his verses that benefited from the young man's grace ("gracious numbers"), are "decayed" because the youth's favors are being spread out and because the muse is not healthy ("sick muse"), which is a strange description considering the first line of Sonnet 78: "So oft have I invoked thee for my Muse".
This type of sonnet consists of three quatrains followed by a couplet, and follows the form's rhyme scheme: abab cdcd efef gg. The sonnet is written in iambic pentameter, a type of metre based on five pairs of metrically weak/strong syllabic positions per line, as exemplified in line five (where "heavenly" is contracted to two syllables):
Like other Shakespearean sonnets the poem is composed in a type of poetic metre known as iambic pentameter based on five pairs of metrically weak/strong syllabic positions. The final line exemplifies a regular iambic pentameter: × / × / × / × / × / The pain be mine, but thine shall be the praise. (38.14)