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Abol Atighetchi uses combination of colored naskh, suluth and kufic style calligraphy with large letters in a single large format acrylic painting for his work presentation and circles in gold leaf or simple color to decorate but in the Nastaligh style many colorful geometrical forms and lines are used to modernize the painting and the same technique is used to modernize the large format birds ...
The taʿlīq (Persian: تعلیق, lit. 'hanging') script is a calligraphic hand in Islamic calligraphy typically used for official documents written in Persian.Literally meaning hanging or suspended script it emerged in the mid-13th century and was widely used, especially in chanceries of Iranian states, although from the early 16th century onward it lost ground to another hanging script, the ...
1 Old time Persian calligraphers. 2 Contemporary Iranian calligraphers. 3 See also. ... Download as PDF; Printable version; In other projects Wikidata item; Appearance.
Example reading "خط نڛتعليق" ("Nastaliq script") in Nastaliq. The dotted form ڛ is used in place of س .. Nastaliq (/ ˌ n æ s t ə ˈ l iː k, ˈ n æ s t ə l iː k /; [2], Persian: [næstʰæʔliːq]; Urdu: [nəst̪ɑːliːq]), also romanized as Nastaʿlīq or Nastaleeq, is one of the main calligraphic hands used to write the Perso-Arabic script and it is used for some ...
The volume consists of facing pages of Persian calligraphy alternating with pages of illustration. [9] The illustrated pages have decorative margins which typically depict either landscapes with birds and scenes of the chase or different types of abstract scrollwork and vegetal designs, whereas the margins of the calligraphic pages often ...
Print/export Download as PDF; Printable version; In other projects Wikimedia Commons; Wikidata item; ... Pages in category "Persian calligraphy"
Sarir was created by studying the form and space and Iranian calligraphy methods, especially classical Shekasteh Nastaʿlīq script, Chinese script, and Gothic script. Sarir can easily overcome some limitations of traditional Iranian calligraphy because in this new way of calligraphy, all angles of the pen can be used.
Mirza Reza Kalhor (Persian: محمدرضا کلهر; c. 1829 – 1892) was a 19th-century Iranian calligrapher, known for his mastery of the Nastaʿlīq script technique. [1] A member of the Kurdish Kalhor tribe of Kermanshah, he initially followed the typical tribal path, learning horsemanship and sharpshooting.