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  2. Conservation and restoration of textiles - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    The conservation and restoration of textiles refers to the processes by which textiles are cared for and maintained to be preserved from future damage. The field falls under the category of art conservation , heritage conservation as well as library preservation , depending on the type of collection.

  3. Pastrana Tapestries - Wikipedia

    en.wikipedia.org/wiki/Pastrana_Tapestries

    The tapestries were dried with the help of sponge tissues and absorbent papers placed over the tapestries, completed with a plastic sheet on the very top. The moisture was taken away through the suction, and any remaining moisture was vacuumed. [5] Following the cleaning process, the tapestries could now be restored.

  4. Textile stabilization - Wikipedia

    en.wikipedia.org/wiki/Textile_stabilization

    Coptic tunic tapestry fragment displaying characteristic physical deterioration that is treated through stabilization techniques. Textile stabilization is a conservation method for fiber and yarn-based cloth intended to mitigate damage, prevent degradation and preserve structural integrity.

  5. Textile conservator - Wikipedia

    en.wikipedia.org/wiki/Textile_conservator

    Karen France works to clean a flag at the Naval Historical Center in Washington, D.C. A textile conservator is a conservator-restorer charged with the care, treatment, research, and preservation of textiles.

  6. Getty Conservation Institute - Wikipedia

    en.wikipedia.org/wiki/Getty_Conservation_Institute

    An amateur restoration was attempted to repair the damage caused by the ripping, rolling, and transportation of the piece which further damaged the piece. Conservators at Getty used their expertise to fill in cracks, remove two layers of varnish, and re-back the canvas to be closer to its original composition.

  7. Sheldon tapestries - Wikipedia

    en.wikipedia.org/wiki/Sheldon_tapestries

    With the Restoration of the monarchy in 1660 and accession of King Charles II, their lands were returned to them and a second Ralph Sheldon, known as ‘the Great’ (1623–1684) commissioned copies of two of the earlier tapestries, those of Oxfordshire and Worcestershire, possibly because the originals had been damaged. [9]

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