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The book has since been published in a case-size edition by William Bay, Mel's son and has spawned a series of similar books like the Encyclopedia of Guitar Chord Progressions (first published in 1977 [3]), Encyclopedia of Guitar Chord Inversions, Mel Bay's Deluxe Guitar Scale Book, Encyclopedia of Jazz Guitar Runs, Fills, Licks & Lines, and ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
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Women in Music play many roles and are responsible for a broad range of contributions in the industry. Women continue to shape movements, genres, and trends as composers, songwriters, instrumental performers, singers, conductors, and music educators. Women's music, which is created by and for women, can explore women's rights and feminism ...
HOT WIRE: The Journal of Women's Music and Culture was a women's music magazine published three times a year from 1984–1994. [ 26 ] [ 27 ] It was founded in Chicago by volunteers Toni Armstrong Jr., Michele Gautreaux, Ann Morris and Yvonne Zipter; Armstrong Jr. became the sole publisher in 1985. [ 28 ]
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
The March of the Women" and "The Women's Marseillaise" were sung by British suffragettes as anthems of the women's suffrage movement in the 1900s–1910s. The most prominent anthem of second-wave feminism is Helen Reddy 's " I Am Woman ", a pop song which appeared as an album track in 1971 without making a splash.
"It's Better Than Going Home Alone" (Truman Stearnes, Guy Coleman) - 2:35 "I'm Gonna Listen To Me" (Dallas Frazier) - 2:21 †"Loving You Was All I Ever Needed" was attributed to Dallas Frazier on the album cover, but to Stan Kesler and Bobby Wood on the record label.