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Sonograms of female copulatory vocalizations of a human female (top), female baboon (middle), and female gibbon (bottom), [19] with time being plotted on the x-axis and the pitch being represented on the y-axis. In non-human primates, copulatory vocalizations begin towards the end of the copulatory act or even after copulation. [2]
The sound of each individual's voice is thought to be entirely unique [13] not only because of the actual shape and size of an individual's vocal cords but also due to the size and shape of the rest of that person's body, especially the vocal tract, and the manner in which the speech sounds are habitually formed and articulated. (It is this ...
Vocal learning is the ability to modify acoustic and syntactic sounds, acquire new sounds via imitation, and produce vocalizations. "Vocalizations" in this case refers only to sounds generated by the vocal organ (mammalian larynx or avian syrinx ) as opposed to by the lips, teeth, and tongue, which require substantially less motor control. [ 1 ]
Certain words in the English language represent animal sounds: the noises and vocalizations of particular animals, especially noises used by animals for communication. The words can be used as verbs or interjections in addition to nouns , and many of them are also specifically onomatopoeic .
Toothed whale (odontocete) vocal anatomy. Most mammalian species produce sound by passing air from the lungs across the larynx, vibrating the vocal folds. [3] Sound then enters the supralaryngeal vocal tract, which can be adjusted to produce various changes in sound output, providing refinement of vocalizations. [3]
Use of creaky voice across general speech and in singing is termed "vocal fry". Some evidence exists of vocal fry becoming more common in the speech of young female speakers of American English in the early 21st century, [8] with researcher Ikuko Patricia Yuasa finding that college-age Americans perceived female creaky voice as "hesitant, nonaggressive, and informal but also educated, urban ...
The historical background of natural sounds as they have come to be defined, begins with the recording of a single bird, by Ludwig Koch, as early as 1889.Koch's efforts in the late 19th and early 20th centuries set the stage for the universal audio capture model of single-species—primarily birds at the outset—that subsumed all others during the first half of the 20th century and well into ...
All of the listed devices are attributes of African vocality and are used to emotionalize vocal and instrumental performances in African American vernacular music. [1] Guttural effects include screams, shouts, moans, and groans. Shouts may be intoned or nonintoned (definite in pitch/sung or indefinite in pitch/spoken).